| Greystoke: The Legend of Tarzan, Lord of the Apes | |
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Theatrical release poster |
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| Directed by | Hugh Hudson |
| Produced by | Hugh Hudson Stanley S. Canter Garth Thomas |
| Written by | Robert Towne (as P.H. Vazak) Michael Austin |
| Starring | Christopher Lambert Andie MacDowell Cheryl Campbell Ian Holm Ralph Richardson Nigel Davenport Ian Charleson |
| Music by | John Scott |
| Cinematography | John Alcott |
| Editing by | Anne V. Coates |
| Distributed by | Warner Bros. |
| Release date(s) | 30 March 1984 |
| Running time | 143 min |
| Country | United Kingdom |
| Language | English |
Greystoke: The Legend of Tarzan, Lord of the Apes is a 1984 British film directed by Hugh Hudson and based on Edgar Rice Burroughs' novel Tarzan of the Apes (1912). Christopher Lambert stars as Tarzan (though the name Tarzan is never used in the film's dialogue) and Andie MacDowell as Jane; the cast also includes Sir Ralph Richardson, Ian Holm, James Fox, Cheryl Campbell, and Ian Charleson.
The film received Academy Award nominations for "Best Supporting Actor" (Richardson), "Best Adapted Screenplay" and "Best Makeup".
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The heir to the Earl of Greystoke (Paul Geoffrey) and his wife Alice (Cheryl Campbell) are marooned in Africa. Lady Greystoke gives birth to a son, then she dies and her husband is killed by an ape. Their infant son is adopted and reared by a family of chimpanzees as he grows up naked, wild, and free.
At age 5, Tarzan (Danny Potts) tries to fit in with his ape family. When a black panther attacks, he manages to learn how to swim in order to evade it while another chimp was killed (humans can swim while great apes can't).
At age 12, Tarzan (Eric Langlois) discovers the tree-house in which he lived as a baby with his mother and father and finds there a wooden block, with pictures of both a man and a monkey (a chimpanzee) painted on it. It is there, after seeing himself in a mirror, that the physical difference between him and the rest of his ape "family" is discovered more fully. He later discovers a hunting knife and how it works. The objects fascinate the naked ape boy who carries them with him.
Years pass and Tarzan (still naked, but now wearing a hunting belt to hold his hunting knife) becomes the dominant male of the ape group. He protects and shows love toward his adopted "mother", "father" and siblings. He loses his mother Kala to a bunch of natives and kills one of them.
Years later, a now half-naked Tarzan (Christopher Lambert) is found by Philippe D'Arnot (Ian Holm) who is injured by natives while exploring the surrounding jungle. Tarzan nurses him back to health and D'Arnot teaches him to speak some rudimentary English, albeit with a French accent. D'Arnot knows of the fate of Earl Greystoke and his wife and convinces "Jean" (the French version of John, the name of his father) as he calls him, to return to England with him to reunite with his family.
On arrival at Greystoke, the family estate, Jean is welcomed by his Grandfather the Earl of Greystoke (Ralph Richardson in his last performance on film) and his ward, a young American woman called Jane (Andie MacDowell). The Earl is now elderly and has obviously suffered from the loss of his son and daughter-in-law years earlier, displaying eccentric behaviour and sometimes forgetting that John is his grandson, not his son returned.
John finds it difficult to be seen as anything but a novelty by the local social set and some of his behaviour is seen as being somewhat threatening and savage. He befriends a young mentally disabled worker on the estate and in his company is able to relax into his natural behavior.
Jane takes it upon herself to try to teach John more English, French and social skills (such as table manners and dancing) and the two become very close, making love one evening in secret.
Lord Greystoke seems to enjoy renewed vigour at the return of his grandson and, reminiscing about his childhood game of using a silver tray as a toboggan to travel down the large flight of stairs in the grand house, does so again with disastrous consequences. He dies, apparently from a head injury, in the arms of his grandson, who displays similar emotion and lack of understanding about death as he does earlier in the story when his adoptive mother was killed in Africa.
John and Jane become engaged.
At a visit to the Natural History Museum in London John is very disturbed by the crude displays of stuffed animals that he recognises from his upbringing in Africa and, slipping into rooms behind the displays discovers his adoptive ape father in a cage, having been captured in Africa and brought to England.
They immediately recognise one another and John breaks open the cage and escapes with his ape companion, releasing other caged animals as he does so, pursued by police and museum officials. They make it to a woodland park nearby but the ape is fatally shot and John is devastated to lose yet another whom he loves.
His overall failure to assimilate to human society forces him to make the decision to return to Africa.
In a departure from most previous Tarzan films, Greystoke returned to Burroughs' original novel for many elements of its plot. It also utilized a number of corrective ideas first put forth by science fiction author Philip José Farmer in his mock-biography Tarzan Alive, most notably Farmer's explanation of how the speech-deprived ape man was later able to acquire language by showing Tarzan to be a natural mimic. According to Burroughs' original concept, the apes who raised Tarzan actually had a rudimentary vocal language, and this is portrayed in the film.
Greystoke rejected the common film portrayal of Tarzan as a simpleton that was established by Johnny Weissmuller's 1930s renditions, reasserting Burroughs' characterization of an articulate and intelligent human being, not unlike the so-called "new look" films that Sy Weintraub produced in the 1960s.
The second half of the film departs radically from Burroughs' original story. Tarzan is discovered and brought to Cumberland, where he fails to adapt to civilization. His return to the wild is portrayed as a matter of necessity rather than choice, and he is separated forever from Jane, who "could not have survived" in his world.
In his book Harlan Ellison's Watching, Harlan Ellison explains that the film's promotion as "the definitive version" of the Tarzan legend is misleading. He details production and scripting failures which in his opinion contribute to the film's inaccuracy.[1]
The film was shot in Korup National Park in western Cameroon and in Scotland. Several great houses in the UK were used for the Greystoke family seat[2]:
Screenwriter Robert Towne was slated to direct this film based on his screenplay, but he was sacked following the box-office failure of his directorial debut, Personal Best. Towne retaliated by demanding that the name of his dog (P.H. Vazak) appear in the screen credit for his screenplay. Ironically, P.H. Vazak received an Oscar nomination for best adapted screenplay.
The dialogue of Andie MacDowell, who played Jane, was dubbed in post-production by Glenn Close because of her southern accent, apparently deemed unsuitable for the character, though not to provide an English accent for her character as some have held. The young Jane featured at the beginning of the film is portrayed as American, which is consistent with Burroughs.
Both Danny Potts (Tarzan, aged 5) and Eric Langlois (Tarzan, aged 12) were completely nude in all of their scenes.
Ralph Richardson, who played the Sixth Earl of Greystoke, died shortly after filming ended, and he received a posthumous Oscar nomination for Best Supporting Actor. The film was dedicated to his memory.
Several actors from Chariots of Fire appear in Greystoke: Ian Charleson, Ian Holm, Cheryl Campbell, Nicholas Farrell, Nigel Davenport, and Richard Griffiths.
Though the name Tarzan is in the film's title, it is not mentioned at all in the film itself. The Ape Man is referred to either as Lord Greystoke or John.
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